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ToastMyDVD is very similar to the tools offered in Apple’s old iDVD software and makes it pretty easy to create DVD menus for your home movies: You can then create menus using Toast MyDVD.
You can edit using the Toast Slice feature which allows basic editing and adding of crossfades, transitions, titles and music soundtracks: You can also perform basic video editing using Toast meaning if you don’t need anything too advanced, you can import, edit and export your home movies using Toast Titanium and nothing else. Probably the most common reason people use Toast Titanium on Mac for is for burning movies and Toast helps you to create professional DVDs with titles and menus via the Toast MyDVD tool.
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Roxio Toast Titanium for Mac supports the burning of not just DVDs but also CDs and HD/Blu-ray discs on the Mac (Blu-ray burning however requires purchasing a $20 plugin for Toast Titanium or upgrading to Titanium Pro).
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While Kandov’s palette is one full of ideas, Shocked is more tattered in its delivery of characters and acting than preferred. In rating the actual product, you could do worse in the realm of indies. I’d say that slightly more upscaling directors and producers should take notice but given the air of lingering racism and bigotry, taking this sort of chance is like sitting at a shitty craps table and the fix is already in, even in a post- Black Panther industry. I could easily imagine how something like this would look on a much bigger scale if concepts like this were sought after with the right numbers and people in tow, and what I dig the most is that it took up-and-coming indie filmmaker to rise to the challenge.
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One major plus worth pointing out is the Afro-centric nature of the story. It’s really the only time the acting leaves an impression, albeit purposefully comedic, apart from the drab performances of its cast. We later meet a quartet of females with their own plans for the device after they’ve gone postal and stabbed their unsuspecting male cohort in a frenzied killing scene. There are definitely some sweetners in the action if you can forgive some of the not-so-well-stacked hits that ensue, while the CG is what it is for a low/no-budget indie. Jacobs, also a martial artist, delivers an ample performance as Kojo, and showcases a certain level of promise given the right director and choreographer. Saint (James Lee), and we never really see its connection to the story, or what exactly Jimmy’s role in the story leading up to Xamot’s fracas with Asian criminal heir, Sai (Kenneth Klugewicz). One of the bigger missteps sees a character getting his head blown off by local crimeboss Mr.
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Going on the basis that this is actually slated to be the first of something more serial instead of a one-off, there’s a lot left to be desired pertaining to character development.
The mythos behind the device is only further explored as the story eventually sees Kojo confronting Mason with the device still in the wind. He later shocks an elusive criminal named Mason (Kofi Nsafoah), and as the film moves forward, we meet a small cadre of local gangsters, a detective, and a man named Xamot (Donald Tucker) searching for the murderer of his twin brother, Jimmy.